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The Synth-Pop Duo's Musical Force Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) formed Soft Cell alongside Marc Almond in Leeds during 1977

The talented musician, one half of the groundbreaking 1980s synth-pop duo Soft Cell, has died at the age of 66.

Together with vocalist Marc Almond, the duo achieved a global success with their version of Gloria Jones' the classic track Tainted Love in the mid-80s, and their debut album Non-Stop Erotic Cabaret is considered a seminal work of electronic music.

He later founded the pioneering techno group The Grid, who secured popular acclaim with their 1994 single Swamp Thing.

Ball passed away calmly in his sleep at his home in London on October 22, just weeks after performing a headline show with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

At that performance, Ball appeared in a mobility chair, as he had for the previous couple of years, following a spate of health issues.

"I ended up damage myself quite a bit," he stated in a recent interview. "I fractured spinal bones in my back and fractured about five ribs and broke my arm."

After contracting a lung infection and suffering from blood poisoning, he was put in an medically-induced sleep and stayed in hospital for seven months.

However, he had been in "a great place mentally" during the summer, as he was developing a new album with Almond, called the upcoming Danceteria, which is set for release in the coming year.

"He was concentrated and so happy with the latest project that we actually completed only a short time ago," stated the vocalist in a heartfelt message.
"It's so sad as next year was completely planned to be such an uplifting time for him, and I find comfort from the knowledge that he heard the completed album and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond referred to his bandmate as "a wonderfully brilliant creative mastermind", stating: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.

"Thank you Dave for being an immense part of my existence and for the music you created with me. I couldn't be where I am without your influence."

Richard Norris from The Grid, shared his condolences, remembering Ball's "constant humor" and "steadfast support".

"Forming a partnership with someone is distinct from joining a group, the bond is very tight," he added.
"That's how it was with us. We experienced so many extraordinary, incredible, memorable moments as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in 2018

Formative Years

Brought into the world into a single-parent household in the city of Chester in 1959, Ball was put up for adoption when he was 18 months of age.

He was raised in Blackpool with his new family Donald and Brenda Ball, who altered his first name from Paul to his adopted name, together with his younger sister Susan, who was similarly welcomed.

He encountered Almond at an art college in 1977, where they were both learning art. Inspired by a shared love of a music genre, they established Soft Cell the same year, and quickly recorded an extended play.

Musical Partnership

The duo were an distinctive pairing: Ball was the reserved musician, hunched over his keyboard, while Almond was a charismatic showman, all sparkle and makeup; but they attained a unique musical alchemy.

Ball had cultivated a fascination with synthesizers after viewing the band Kraftwerk appear on BBC science show Tomorrow's World, and started to marry dark electronica to the soaring melodies Almond was composing.

Tainted Love became the UK's second biggest-selling single of the early 80s, shifting 21 million units worldwide. Together with hits by other artists, Human League and electronic acts, it contributed to cleared the path for the electronic music style of the 1980s.

The song was also featured on their full-length debut, Non-Stop Erotic Cabaret, which produced two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the separate release, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The pair were working on fresh songs until just before Ball's passing

Career Highlights

Fame had its upsides. "I enjoyed being able to purchase my initial property, having money and travelling, which makes me sound like a beauty queen," Ball not long ago told with a publication.

But it also caused problems. "Newfound wealth allowed we could afford newfound drugs to relieve the monotony" of press appearances and television shows, Ball explained.

"I know that's a common saying, but it's a cliché for a good reason, because it works for so many bands."

Amidst the hedonistic lifestyle, the pair were also drifting apart, but they succeeded to create a follow-up memorable record - the wayward, edgy and fittingly named The Art Of Falling Apart.

They released another album, their 1984 release This Last Night In Sodom, before dissolving the band to concentrate on individual endeavors.

Almond proceeded to have a prosperous individual path, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined acid house with melodic sounds over a long-lasting partnership.

Later Work and Comebacks

Soft Cell reunited in 2001, producing the charting record Cruelty Without Beauty.

Following another hiatus, they reappeared in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the large venue on September 30, that year.

However, they remained together, creating their fifth album, Happiness Not Included, during the 2020 Covid lockdown.

Ball recently described the duo's new album as a tribute to the New York club scene they visited while making their initial records.

He added that his period in hospital had influenced the band's sound.

"I experienced unusual memories when I was coming and going of the hospital because I was on morphine," he told a music magazine.
"The new songs are a digital reflection of the noises in my mind from those days.
"Simultaneously, it's about the times we had in the 80s."

The final mixes were finished only days before Ball died. It is due for release in the spring of 2026.

By

Michael Flores

Lena is a sustainability consultant with over a decade of experience in green building practices and energy-efficient home solutions.

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